Sunday

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Days! Weeks! Days of the week! I started off idly sketching the word Monday and had the idea for the series. Well, 7 weeks later and it’s finished. Here’s the last one:

Sunday2

Over the course of the weeks, (or the week,) we’ve had brush style, Gothic, typography, flourishes, graffiti, stippling, even an ambigram. My challenge was to create 7 pieces that were as different from each other as possible. The goal was to expand my horizons, learn how to do new things, and explore styles that weren’t just replicas of what I had done in the past. It was tough finding a style for each piece that set it apart from the others, especially towards the end. With this piece, I had exhausted the styles that I was used to doing, which eventually gave me the idea to make something that looked more like a poster. The main difference is that this piece has a lot more non-lettering elements to it. I could have had it with the word just as it is, but seeing as so many lettering pieces are simply the words sitting stark and bare, I wanted to embrace the challenge of deviation from things that are too familiar.

One of the results of having such a detailed piece is that I under estimated the amount of time it took to complete it, meaning I’m a little late in posting it, as it’s just past midnight. Next week, I have some client projects to get working on, so I will either upload some progress, or finished shots of them, or I will get back to doing some pieces that aren’t just single words, like this series has been. Come back and check it out!

Just in case you missed any of the other Days of the Week, here are the rest:

Monday

Tuesday

Wednesday

Thursday

Friday

Saturday

 

 

Saturday

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Hooray, everyone, it’s Saturday! That doesn’t mean it’s the weekend, of course, seeing as it’s Monday today (or at least it was at the time I started writing). What I mean is that this week’s piece is number six in my Days of the Week series, so it’s Saturday.

Saturday

Now, as I’m sure you’re aware, my goal with the Days of the Week series is for each piece to turn out as differently from the previous ones as possible. This, of course, means that each week gets to be more of a challenge as I force myself out of options for styles that I have used in previous weeks. With this piece, I was aiming for something with a graffiti aspect to it, which is a style that I have seen around a lot, but have never experimented with myself. The main elements of what I was aiming for were a slightly organic take on type (rather than script) and the strong outline and background. It took me a long time to find something that satisfied the first element, so I ended up with about half a sketchbook of ideas aiming for something organic seeming that wasn’t based around a script rather than typography. In the end, it all lead here, with curled and disjointed intersections, using vine and drop like shapes to make up some parts of the letters.

Each letter is surrounded with a thick black outline, and behind that is what you could call a drop shadow, and though many would, it’s not quite the right word. Instead, it’s a 3D effect that is used on many pieces by many lettering artists, but filled in a solid black, which gives it a much more graffiti-esque feeling. The piece has a single point perspective, meaning that each letter’s backdrop points towards the centre of the image, somewhere just under the R. It’s for this reason that you can’t really call it a drop shadow, as there is no possible light source that could throw shadows in such a way.

Friday

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Happy Monday! Or as I like to call it, Friday!

Friday

I don’t really call Monday Friday, and I do, in fact, have a solid grasp of what day of the week it is. The thing is, however, that this is the 5th instalment of my Days of the Week project, meaning that today’s piece is Friday! This week I was having an interesting time playing around with a new brush pen of mine, which you can see in the picture. I experimented with a lot of different styles and found that it’s a very versatile thing, but it’s also not as easy as it looks. The brush pen is great for a couple of uses. First, it’s much faster at hashing out an idea than it is with a pencil, meaning you can chase the ever elusive image in your mind that bit quicker, hopefully capturing more of its essence as you go. Second, it can be used to fill in block areas of shading much faster. Both of these uses were a great help to me this week, and the piece draws inspiration from brush lettering styles and makes use of the brush pen’s speed at filling in. Unfortunately, however, it seems to me that the ink has a different quality to it than that of the fine liners I use to outline the piece, resulting in a slight difference between the inside and the outlines of the letters. You can’t really see it here in the picture, and it’s only really noticeable upon close examination of the piece in person, but it’s interesting to note.

Another thing to note about the piece is the decoration around the letters. There are several artists that I admire who do similar things, their lettering pieces adorned with much ornamentation in addition to the letters that make up the piece. I had a great time experimenting with that idea last week, and it’s something that I’m going to keep in mind in the future for all pieces, too. The form of the piece is not necessarily bound by the letters that make it up, and as I’m starting to learn more about it, it will be something that I’m going to start to consider more in the planning of each piece.

I’m afraid I didn’t take any progress pictures this time, because with all time I took experimenting with my brush pen, the execution of this piece was left a little bit to the last minute! As I’m sure you can guess, the piece to follow this one will be Saturday, but, as usual, it will be out on Monday next week.

Thursday

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Good news! Today I got a dribbble invite! If you don’t know what dribbble is, head over to dribbble.com and take a look! It’s a place for designers to share their work and network with other designers. The other good news is that today (at least for another half an hour or so) is Monday. So here’s the new thing:

Thursday

That’s because Mondays are going to be update days from now on until the end of ever, meaning you can always come and check on a Monday (well, on Tuesday, really, because I will update in the evening) to see the next piece. This week’s piece is the 4th in the series of the Days of the Week project I’m currently doing. The goal with this piece was to create something with a filigree feeling to it. I liked the idea of doing something in a filigree style, but I also felt that the piece would benefit more from having the letters be clean and clear, which is what made me settle on letter-spaced sans serif all caps. In doing so, I found that I really haven’t ever produced many works using sans serif letters, and I tend to lean towards script and serif. The piece really called for something strong in contrast to the detailed filigree ornamentation behind it, but standard Roman style all caps just weren’t cutting it. The advantage that I ended up with by using this style is that through even stroke width, it not only creates a great juxtaposition of bold shapes over detail, but also helps out greatly with legibility, which is something that would suffer if the thickness of the letters varied more.

I had originally planned to go with slab serif, but, and not to bash slab serif at all, it feels to me that it’s just sans serif pretending to be serif. I’m sure it has its uses, my original choice to use it was just based on my preference for serif over sans serif, when in fact, what the piece really needed was the simplicity of sans serif. Over all, this piece is mainly an exploration of contrasts. The contrast between strength and fragility, between simplicity and complexity, and between black and white.

If you’re interested in the process of making this piece, here are a few progress shots:

IMG_1801

Having measured out and sketched in the letters, next is to start planning out the detail behind them.

IMG_1807

Fleshing out the detail.

IMG_1808

Detail all planned out. From then on, it’s just a story of ink.

See you at the beginning of next week with Friday’s piece.

Wednesday

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Day 3! Well, in real time, it’s week 3, not day 3, but this is the third day of the Days of the Week series. This one, as you can see, is Wednesday, as I’m still going with the whole chronological approach.

Wednesday

Last week, we had an ambigram, which was great, but I didn’t want to continue with that theme, because while it’s fun, the point of this series is to try to deviate as much as possible from each of the other pieces. The main talking points of this piece are the stippling and the difference in style between the W and the rest of the word. First of all, the stippling, which is shading using lots of little dots. When I was first sketching the piece in pencil, I shaded it so that it was darker at the top, which, of course, is easy when you’re working with graphite. However, it’s not so easy when it comes to ink, when you have the choice of either black or not black. The challenge, then, comes in tricking the eye to think that between the solid black and white there exists something else. Having some experience with stippling, I was keen to put it into practice again to see if it would do the trick. The effect is certainly different from the pencil, and while it’s difficult to exactly imitate the way pencil strokes can be used to shade a piece, I think that the darkness that you can only achieve with ink makes more of an impact.

With the W, I wanted to create the feeling of a drop cap: something ornate and eye catching. However, last week’s piece was in a Gothic style, so while I was content to have the W in a similar style, I’m glad it turned out quite differently than Tuesday did. This style is much more fancy, which was something that wasn’t an option to me when making the ambigram last week, which has a functional side that restricts it in many ways. I also like to imagine the W in colour in the style of an illuminated letter from old Gothic texts, in this case in red and gold. However, I am more concerned about keeping this project purely black and white to focus on the form, but once I have finished the series, perhaps it’s something I will revisit.

Here’s a close-up of the stipples getting done:

Stipples

About the specifics of the pen: it’s a 0.05 mm fineliner, though I couldn’t tell you if each stipple is truly 0.05 mm in diameter.

Check back next week for the next in the series, which will be Thursday, uploaded on Monday!

Tuesday

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So last week, I uploaded Monday as the first part of my Days of the Week project, which, as you can guess, will be a seven part project. The goal with this project is to explore diversity in lettering and make each piece of the project as different from the last as possible. This week, not to be too predictable, I’ve decided to go chronologically from my starting point. So, here’s Tuesday!

Tuesday

The style is inspired by Blackletter/Gothic calligraphy, but the main defining feature of the piece is that it is an ambigram. Like several of my other pieces, such as Out of my Mind and the word Longer in this piece, this means that it reads the same both ways up! The biggest challenge of the piece was definitely the T/Y combination. The curl of the top of the T certainly lends itself to the loop of the lowercase Y but the rest of it needed quite a bit of work to come up with something that would read well. Fortunately, Blackletter capital T’s often incorporate a half moon shape that curls around the left and underside of the letter. Here, the shape is very understated so as to make the shape of the y neat and stay within the x height of the piece, but it was nice to find a solution that created stronger stylistic consistency.

The lowercase U and A practically solved themselves once I started with the Blackletter style, and the S, of course, falling as it does in the middle of the word was the perfect centre point for an ambigram, it being a rotationally symmetrical letter in the first place. The last puzzle was the E/D combination. With this, again, I felt like I had stumbled across something that seemed almost too convenient due to the Blackletter style. A quick google of Gothic script will show plenty of examples of the lowercase D with a very low, curled form, which simply requires the bottom of the E to cut through the baseline a little way to achieve the right effect.

When creating an ambigram, it is such a restrictive form that it’s almost more like solving a puzzle than creating something. It’s as though you’re looking for something that you’re not sure is there. Trying to see if a rock contains a fossil, and until you spend the time and care chiselling away the outer layers, you can’t say for sure. Sometimes you find nothing, sometimes just some fragments, and sometimes you find a whole dinosaur. A similar comparison is with very restrictive poetic forms. To craft words to a restrictive form and still say what you want to say is a very challenging thing, and as I’m sure proponents of the “Poetry doesn’t translate” movement would hasten to tell you, it’s not only down to the skill of the poet, but also the intricacies of the language that allow the poem to work. In the same way, just as not everything can be expressed through sestinas or haiku, not everything can become an ambigram, as much as you might want it to.

I did go on to make a vector of this piece, mainly because I wanted to make a rotating .gif of the image. Take a look!Tuesday

 

Monday

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It’s Monday! Or at least, yesterday was Monday. In celebration of this fact, here’s something I finished on Sunday!

Monday

I posted it over at reddit a couple of days ago, and it got a good response, but I’ve only just had the time to make a blog post about it. So, what’s the deal? Well, I’m thinking of starting a series called Days of the Week. I’m sure you can guess what will be featured. I’m planning on doing a different style for each one. The goal of the project could be that each piece should be as different from the others as possible. We will have to see how diverse I can make their styles. Striving for diversity is a great way to expand your skills and your portfolio, so it’s a win-win situation!

I think that many people could be afraid that they will produce terrible work, so they never try. People often ask me how I learnt to do things like this, and the answer is really just that I started doing it. I saw that others had done lettering pieces and posted them to the Internet, and I wanted to try too. Practically everything I’ve ever lettered is posted here on the website, and if you take a look through my portfolio, I’m sure you can see how things have progressed. Some of the earlier pieces aren’t so great, and I’ve learnt a lot since then, but I think it’s worth leaving them up there because it’s an honest reminder of where I came from. I think it’s worth being honest about something like that. They are the beginning of a journey that I’m taking, a journey that hopefully has no end. To come to the end would mean that there is nothing left to learn, and no improvement to make, and I’m sure if anyone thinks they are in a place like that, then they are missing something. So, I’m looking forward to finding out where this project will take me!

This project might be punctuated with other pieces, so it might take a while before I have the full-week set uploaded, but stay tuned to see what the rest turn out like!

Here’s a vectored version. I tightened up a couple of lines here and there, but overall, it’s pretty much the same as the inked one above. The main difference is that in digitisation, I have the opportunity to use gradients, so where I used hatching on the sides of the letters to shade them in the inked version, I had a play around with using gradients to achieve a similar effect.

Monday