The Truth Shall Make You Free

Since I did the Days of the Week project, I haven’t thought of a new series of pieces to do yet, but I seem have done a few inspirational-ish quotes lately, so I thought I would continue the trend. This one is part of the unofficial motto of the CIA. Doesn’t sound like it would be so inspirational, does it! In fact, the full motto is “And you shall know the truth, and the truth shall make you free” which comes from a bible verse. The official motto is “The Work of a Nation. The Center of Intelligence,” which didn’t seem like it would make a good lettering piece, so I thought I’d go for the unofficial one.

The Truth Shall Make You Free

With this piece, I wanted to achieve something similar to what I was going for with Just Some Words. I’ve seen plenty of pieces around that make no attempt at combinations of styles, but rather focus on the form of the piece, and keep the words all in the same style. I feel like I got closer with this piece than I did with the other one; it’s a style I would like to explore further in the future, so there may see what I can do to make a few pieces thematically linked as a nice little series.

Here’s a little look at the pieces of paper that lead up to the final piece:

The Truth Process

I recently became a mod over at /r/lettering, and seeing the quite frequent posts asking for advice for how to begin, I was thinking that I might post a blog post soon that is aimed towards providing some insight into the process. I usually make some comments about what happened on the way to each piece, but a more general tutorial might be a good place to direct people who are looking for some window to how to go from a blank piece of paper to a finished piece. Above, you can see a little bit of what went into designing this piece from initial sketches to trying out some ligatures for the word “The” to making a full pencil sketch to see how it would look at the right size.

The art of war (a rapidograph experiment)

This week I received some new pens which I hope to use in place of the Unipin and Micron fine liners that I’ve been using up until now. These new pens are Rotring Rapidographs, which are a kind of technical pen. What that means is that I won’t have to go out all the time to buy new fine liners, (though of course they will need ink refills,) and I won’t have to worry about the slow blunting of the tip. These pens have a mechanical tip that never dulls, unlike the felt of the fine liners, so barring them being stamped on, they should be just the same in 20 years!

The greatest victory is that which requires no battle

This piece was my first with these new pens aside from a few test scraps to get used to the different feel. I wanted to do a piece that would test out a few different uses for them, including hatching and filling in large sections. In all, they worked out really well, giving very consistent line thickness. The ink seems to be better than that of the fine liners, too, creating a much better matte surface that doesn’t seem to suffer at all from reflecting camera flashes or other lights, leading to great straight shots.

The piece itself is a quotation from the Art of War by Sun Tzu, which seems to contain a lot of wisdom. Though the quote is about victory and battles, coming from a book about war, it has quite a pacifist sentiment to it, which I found quite interesting. Of the quotes I found, this one suited my needs well. I wanted to continue to explore into the world of Gothic lettering, which is something I haven’t examined as closely as other styles, my main areas of study being Roman and Copperplate calligraphy. In this piece, there is a combination of all three! This being my first real quotation piece in a long time, I also wanted to do something with an interesting visual hierarchy so as to make it the kind of thing you might see on a poster.

Take a look at a few progress shots:

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Sketching out the top half after the space was measured out.

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Pencil version complete.

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Half way through inking.

Non-Zero Days

A commenter in a thread on reddit once posted some advice on how to keep motivated and strive towards your goal. One of the main points in his post (which was full of value) was that if nothing else, every day should be a non-zero day. By that, he meant that even if you only take one step towards your goal on any given day, make sure that you take at least that one step. Even if it’s the smallest thing you can do to get yourself to where you want to be, it means that your day is not a failure. The advice stuck with me, so I made a piece around it.

Make Every Day a Non Zero Day

Over the past few weeks, I’ve been focusing on producing pieces with a focus on detail and intricacy, and while that is my style, and not something I want to abandon, I felt like making something a bit bolder. To achieve this, I chose to have the piece contained in a circle, and for the letters to be white on a strong black background. To keep things stylistically simple, I stuck with only two styles: copperplate inspired brush pen script and traditional Roman letters.

With this week’s project, I also wanted to design a piece that I would like to see on some merchandise, such as mugs or posters. It would be exciting to have some things to sell with pieces printed on them, so I thinking of starting to build up some pieces that would work well in that medium. This will be the first of “poster suitable” pieces, which would be something easily printable by a letterpress. As you can imagine, I’m sure, some of my other pieces would be too detailed to be printed easily on a reasonably sized poster, and you would need a very large mug indeed to accommodate them!

In other news, I have a new camera, so all the old photos of my work are likely to be replaced soon enough. I’ll wait until a nice sunny day (which is all the time!) and take some nice photos in the sunlight. That may include this one, as I unfortunately left it a little (very) late to catch the sun for the photo today.

Sunday

Days! Weeks! Days of the week! I started off idly sketching the word Monday and had the idea for the series. Well, 7 weeks later and it’s finished. Here’s the last one:

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Over the course of the weeks, (or the week,) we’ve had brush style, Gothic, typography, flourishes, graffiti, stippling, even an ambigram. My challenge was to create 7 pieces that were as different from each other as possible. The goal was to expand my horizons, learn how to do new things, and explore styles that weren’t just replicas of what I had done in the past. It was tough finding a style for each piece that set it apart from the others, especially towards the end. With this piece, I had exhausted the styles that I was used to doing, which eventually gave me the idea to make something that looked more like a poster. The main difference is that this piece has a lot more non-lettering elements to it. I could have had it with the word just as it is, but seeing as so many lettering pieces are simply the words sitting stark and bare, I wanted to embrace the challenge of deviation from things that are too familiar.

One of the results of having such a detailed piece is that I under estimated the amount of time it took to complete it, meaning I’m a little late in posting it, as it’s just past midnight. Next week, I have some client projects to get working on, so I will either upload some progress, or finished shots of them, or I will get back to doing some pieces that aren’t just single words, like this series has been. Come back and check it out!

Just in case you missed any of the other Days of the Week, here are the rest:

Monday

Tuesday

Wednesday

Thursday

Friday

Saturday

 

 

Saturday

Hooray, everyone, it’s Saturday! That doesn’t mean it’s the weekend, of course, seeing as it’s Monday today (or at least it was at the time I started writing). What I mean is that this week’s piece is number six in my Days of the Week series, so it’s Saturday.

Saturday

Now, as I’m sure you’re aware, my goal with the Days of the Week series is for each piece to turn out as differently from the previous ones as possible. This, of course, means that each week gets to be more of a challenge as I force myself out of options for styles that I have used in previous weeks. With this piece, I was aiming for something with a graffiti aspect to it, which is a style that I have seen around a lot, but have never experimented with myself. The main elements of what I was aiming for were a slightly organic take on type (rather than script) and the strong outline and background. It took me a long time to find something that satisfied the first element, so I ended up with about half a sketchbook of ideas aiming for something organic seeming that wasn’t based around a script rather than typography. In the end, it all lead here, with curled and disjointed intersections, using vine and drop like shapes to make up some parts of the letters.

Each letter is surrounded with a thick black outline, and behind that is what you could call a drop shadow, and though many would, it’s not quite the right word. Instead, it’s a 3D effect that is used on many pieces by many lettering artists, but filled in a solid black, which gives it a much more graffiti-esque feeling. The piece has a single point perspective, meaning that each letter’s backdrop points towards the centre of the image, somewhere just under the R. It’s for this reason that you can’t really call it a drop shadow, as there is no possible light source that could throw shadows in such a way.

Friday

Happy Monday! Or as I like to call it, Friday!

Friday

I don’t really call Monday Friday, and I do, in fact, have a solid grasp of what day of the week it is. The thing is, however, that this is the 5th instalment of my Days of the Week project, meaning that today’s piece is Friday! This week I was having an interesting time playing around with a new brush pen of mine, which you can see in the picture. I experimented with a lot of different styles and found that it’s a very versatile thing, but it’s also not as easy as it looks. The brush pen is great for a couple of uses. First, it’s much faster at hashing out an idea than it is with a pencil, meaning you can chase the ever elusive image in your mind that bit quicker, hopefully capturing more of its essence as you go. Second, it can be used to fill in block areas of shading much faster. Both of these uses were a great help to me this week, and the piece draws inspiration from brush lettering styles and makes use of the brush pen’s speed at filling in. Unfortunately, however, it seems to me that the ink has a different quality to it than that of the fine liners I use to outline the piece, resulting in a slight difference between the inside and the outlines of the letters. You can’t really see it here in the picture, and it’s only really noticeable upon close examination of the piece in person, but it’s interesting to note.

Another thing to note about the piece is the decoration around the letters. There are several artists that I admire who do similar things, their lettering pieces adorned with much ornamentation in addition to the letters that make up the piece. I had a great time experimenting with that idea last week, and it’s something that I’m going to keep in mind in the future for all pieces, too. The form of the piece is not necessarily bound by the letters that make it up, and as I’m starting to learn more about it, it will be something that I’m going to start to consider more in the planning of each piece.

I’m afraid I didn’t take any progress pictures this time, because with all time I took experimenting with my brush pen, the execution of this piece was left a little bit to the last minute! As I’m sure you can guess, the piece to follow this one will be Saturday, but, as usual, it will be out on Monday next week.

Thursday

Good news! Today I got a dribbble invite! If you don’t know what dribbble is, head over to dribbble.com and take a look! It’s a place for designers to share their work and network with other designers. The other good news is that today (at least for another half an hour or so) is Monday. So here’s the new thing:

Thursday

That’s because Mondays are going to be update days from now on until the end of ever, meaning you can always come and check on a Monday (well, on Tuesday, really, because I will update in the evening) to see the next piece. This week’s piece is the 4th in the series of the Days of the Week project I’m currently doing. The goal with this piece was to create something with a filigree feeling to it. I liked the idea of doing something in a filigree style, but I also felt that the piece would benefit more from having the letters be clean and clear, which is what made me settle on letter-spaced sans serif all caps. In doing so, I found that I really haven’t ever produced many works using sans serif letters, and I tend to lean towards script and serif. The piece really called for something strong in contrast to the detailed filigree ornamentation behind it, but standard Roman style all caps just weren’t cutting it. The advantage that I ended up with by using this style is that through even stroke width, it not only creates a great juxtaposition of bold shapes over detail, but also helps out greatly with legibility, which is something that would suffer if the thickness of the letters varied more.

I had originally planned to go with slab serif, but, and not to bash slab serif at all, it feels to me that it’s just sans serif pretending to be serif. I’m sure it has its uses, my original choice to use it was just based on my preference for serif over sans serif, when in fact, what the piece really needed was the simplicity of sans serif. Over all, this piece is mainly an exploration of contrasts. The contrast between strength and fragility, between simplicity and complexity, and between black and white.

If you’re interested in the process of making this piece, here are a few progress shots:

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Having measured out and sketched in the letters, next is to start planning out the detail behind them.

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Fleshing out the detail.

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Detail all planned out. From then on, it’s just a story of ink.

See you at the beginning of next week with Friday’s piece.

Monday

It’s Monday! Or at least, yesterday was Monday. In celebration of this fact, here’s something I finished on Sunday!

Monday

I posted it over at reddit a couple of days ago, and it got a good response, but I’ve only just had the time to make a blog post about it. So, what’s the deal? Well, I’m thinking of starting a series called Days of the Week. I’m sure you can guess what will be featured. I’m planning on doing a different style for each one. The goal of the project could be that each piece should be as different from the others as possible. We will have to see how diverse I can make their styles. Striving for diversity is a great way to expand your skills and your portfolio, so it’s a win-win situation!

I think that many people could be afraid that they will produce terrible work, so they never try. People often ask me how I learnt to do things like this, and the answer is really just that I started doing it. I saw that others had done lettering pieces and posted them to the Internet, and I wanted to try too. Practically everything I’ve ever lettered is posted here on the website, and if you take a look through my portfolio, I’m sure you can see how things have progressed. Some of the earlier pieces aren’t so great, and I’ve learnt a lot since then, but I think it’s worth leaving them up there because it’s an honest reminder of where I came from. I think it’s worth being honest about something like that. They are the beginning of a journey that I’m taking, a journey that hopefully has no end. To come to the end would mean that there is nothing left to learn, and no improvement to make, and I’m sure if anyone thinks they are in a place like that, then they are missing something. So, I’m looking forward to finding out where this project will take me!

This project might be punctuated with other pieces, so it might take a while before I have the full-week set uploaded, but stay tuned to see what the rest turn out like!

Here’s a vectored version. I tightened up a couple of lines here and there, but overall, it’s pretty much the same as the inked one above. The main difference is that in digitisation, I have the opportunity to use gradients, so where I used hatching on the sides of the letters to shade them in the inked version, I had a play around with using gradients to achieve a similar effect.

Monday